04.20.11: UPDATE

READING: For our next class, please read pages 132-145 in Telling True Tales.

WRITING: Adding on to the "flashback" scene you began writing in class today, create two narrative and reflection sequences (the "weaving" technique I spoke of in class) that will be embedded within the body of your essay. These new elements should directly contribute to the development of the character (i.e. the "I" of your essay). I would suggest analyzing the global structure and patterns of Sedaris' as an example of how this can be done effectively. The inclusion of these sequences should push your essay to at least the 4-page, single-spaced mark.

04.18.11: UPDATE

READING: If you haven't already done so, please read the DeSilva essay "Endings" on pages 116-121 in Telling True Tales, along with pages 126-132.

WRITING: For next class, please a) write into your work at least two "marriage moments," as defined by LeMann in his craft-essay "Weaving Story and Idea, and b) using DeSilva's notions of what constitutes a finely-crafted ending, re-write and augment the conclusion of your non-fiction piece. These additions and emendations should be considerable enough that your essay should be nearing the 3-page, single-spaced threshold.